Stephen Hero is a posthumously published autobiographical novel by Irish author James Joyce. It is the early version of A Portrait of the Artist as a Young Man. Its published form reflects only a portion of the manuscript: the first 518 pages have disappeared; 383 pages remain.
Joyce abandoned the work in Trieste in 1905. It was left among manuscripts given to the care of his brother Stanislaus Joyce when Joyce moved to Paris, who later sent it back to him.Slocum, John J. And Herbert Cahoon, "Foreword", Stephen Hero, New Direcrions, New York, 1963 Sylvia Beach, to whom Joyce later gave the surviving pages, wrote that, "When the manuscript came back to its author, after the twentieth publisher had rejected it, he threw it in the fire, from which Nora Barnacle, at the risk of burning her hands, rescued these pages." Biographer Herbert Gorman supported this claim which has been widely reported.Gorman, Herbert. "James Joyce", Farra & Rinehart, New York, 1940, p. 196 It has been noted that no surviving parts of the manuscript have any signs of burning.Slocum, John J. And Herbert Cahoon, "Foreword", Stephen Hero, New Direcrions, New York, 1963 This surviving portion, missing the first 518 pages, was published in 1944. Stanislaus Joyce retained a separate portion of the manuscript which include a self-contained episode that would later be developed into a scene in A Portrait of the Artist as a Young Man: This section was later rediscovered and published in 1955. Five additional pages were of this additional section later came to light in 1959 and were later reintegrated into the additional scene in 1963.Slocum, John J. And Herbert Cahoon, "Foreword", Stephen Hero, New Direcrions, New York, 1963Gorman, Herbert. "James Joyce", Farra & Rinehart, New York, 1940, p. 196
There’s a reference to Stephen Dedalus’s collection of epiphanies in Ulysses. Joyce himself recorded over seventy epiphanies, of which forty have survived.
William York Tindall has suggested that in Dubliners the concept is the basis of an overall narrative strategy, "the commonplace things of Dublin becoming embodiments or symbols . . . of paralysis". Another critic has said of A Portrait that "in at least three instances an epiphany helps Stephen decide on the future courses of this life". She has also identified four distinct epiphany techniques in Joyce's work, noting their use in Ulysses, from the simplest device, such as the revelation of Gerty Macdowell's limp, to the more complex, such as the bowl symbolism in "Telemachus". Cited as an example of Joyce's major epiphany technique—Quiddity produced directly—is the revelation of Molly Bloom as "female essence".
Australian scholar S. L. Goldberg has argued that interior monologue in Ulysses is rooted in Joyce's epiphany technique. For Goldberg, the epiphany is "the real artistic (and dramatic) unit of Joyce's 'stream-of-consciousness' writing. What he renders dramatically are minds engaged in the apprehension of epiphanies—the elements of meaning apprehended in life."
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